In general, my works deals with the American landscape, and demonstrates my fascination with the strong visual character of this country's vernacular architecture. Vintage lapboard houses, mobile homes and agricultural-related structures have become regional icons that tell the stories of the inhabitants of these structures. This implied history interests me deeply.
Typically treated as eyesores on the landscape, these structures are glaring reminders of the social and economic plight of a large segment of our society. Yet on a formal level, they have a hidden beauty I am drawn to, abundant with complex relationships of color, texture, and shape. Like the ashcan school of American painters from the early 20th century, I am interested in everyday subject matter. Like these artists, I believe there exists subtle nobility in these castles of the mundane.
Artist's Comments
Typically treated as eyesores on the landscape, these structures are glaring reminders of the social and economic plight of a large segment of our society. Yet on a formal level, they have a hidden beauty I am drawn to, abundant with complex relationships of color, texture, and shape. Like the ashcan school of American painters from the early 20th century, I am interested in everyday subject matter. Like these artists, I believe there exists subtle nobility in these castles of the mundane.